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Milled with the utmost care, Fragonard professional oils specifically utilize mono-pigments, a single pigment per color, wherever possible. This allows the artist the widest range of color mixing potential, retaining hue purity and intensity.
Color Swatches created using heavy application/medium application/50% tint and were applied on acrylic primed canvas (7 oz) material.
This Naphthol Red is a bright deep red with bluish undertones. It has an average drying time.
This Naphthol Red has fair to good lightfastness, not because of its masstone, but because it fades in tints. Not suitable for exterior use.
Naphthol Reds are not considered toxic. They may cause eye, skin, or respiratory irritation. Contact with dry pigment should be avoided.
Naphthal, Naphthol Bordeaux, Naphthol Carbamide, Naphthol Carmine, Permanent Carmine, Permanent Red.
Permanent Bordeaux has excellent tinting strength.
Permanent Bordeaux is reported to have good lightfastness.
Permanent Bordeaux (PR12) was discovered by H. Wagner in 1921. It has been used in many printing inks, plastics colorants, textile paints, and industrial paints. It is widely manufactured.
Aquarine Bordeaux, Irgalite Bordeaux, Solintor Rubine
Perylene Red is a moderately intense, semi-opaque, medium red pigment, appearing somewhere between a Cadmium Red and a Cadmium Deep Red hue. It has excellent brightness and tinting strength. Its partial transparency makes it useful as a glazing color.
Perylene Red has good lightfastness and permanence. Its tints may darken after extended exposure to sunlight. It is not considered suitable for exterior use.
Perylene Red has no significant acute toxicity. Its long term hazards are currently unknown.
Perylenes have been used as vat dyes since 1912, but they were not manufactured and sold as pigments until 1957. For artists, they are a replacement for historic colors that were made with berries, and are significantly more lightfast.
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