Sennelier creates their extraordinarily luscious colors from the finest hand-ground pigments combined with pure, first-press, non-yellowing, safflower oils. They produce an outstanding collection of oils distinguished by a "satin" finish and buttery feel.
Color Swatch created using heavy application/medium application/50% tint and was applied on acrylic primed canvas (7 oz) material.
Black is a semi-transparent, slightly textured blue-black pigment with excellent hiding power. It has a finer grain than other black pigments, so it spreads better in watercolor. However, it is inferior in intensity, tinting strength, and chemical purity to the major black pigments.
Vine Black has superior permanence and lightfastness because carbon absorbs light well.
Vine Black has no significant hazards.
Vine Black is a carbon based black traditionally produced by charring desiccated grape vines, stems, and wood from willow trees. These processes have been used since antiquity, though a superior artificial variety was developed in the United States in 1864 to make a black appropriate for watercolors.
Blue Black, Charcoal Black, Coke Black, Cork Black, Drop Black, Frankfort Black, German Black, Grape Black, Kernel Black, Marc Black, Mineral Black, Peach Black, Spanish Black, Vegetable Black, Yeast Black. Blue Black has also been used to describe Ivory Black.
charred animal bone
carbon + calcium phosphate
C + Ca3(PO4)2 or C × CaPO4
Ivory Black is a cool, semi-transparent blue-black with a slight brownish undertone and average tinting strength. It mixes well with any color, and creates a range of dull greens when mixed with yellow. It has good properties for use in oil, can be slow to dry in oil form, and should never be used in underpainting or frescoing. Ivory Black is denser than Lamp Black.
Ivory Black is very lightfast and has good permanence, though it is considered the least permanent of the major black pigments.
Ivory Black has no significant hazards.
Ivory Black is a carbon based black first named as Elephantium, and described in the 4th century BCE as produced by heating ivory scraps in clay pots to reduce the ivory or bone to charcoal. The deviation in names is because the more expensive varieties of this pigment were made by burning ivory, and the less expensive ones by burning animal bone. In the 19th century, the name Ivory Black was finally permitted to be applied to Carbon Black pigments made from bone. True Ivory Black is rare in modern times due to the protection of ivory, and the synthetic variety produced today was discovered in 1929. Bone Black is produced as an industrial pigment.
Animal Black, Blue Black, Bone Black. Paris Black is an inferior grade of Ivory Black. Incorrectly labeled as Frankfort Black.
beta copper phthalocyanine
Phthalo Blue PB15:3 is a structural variant of Phthalo Blue PB15 that produces more greenish tones.
Phthalo Blues are completely lightfast and stable and are permanent for all paint uses. They are currently used in inks, coatings, and many plastics due to their stability and are considered a standard pigment in printing ink and the packaging industry.
Phthalo Blues have no significant hazards, although those made before 1982 contained some PCBs (polychlorinated biphenyls).
Developed by chemists using the trade name Monastral Blue, the organic blue dyestuff now known as Phthalo Blue was presented as a pigment in November 1935 in London. Its discovery was accidental. The dark color was observed in a kettle where a dye was being made from a British dyestuff plant. The demand for such a pigment came from commercial printers who wanted a cyan to replace Prussian Blue.
Phthalo Blue Green Shade, Winsor Blue Green Shade
® Sennelier is a registered trademark.