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Holbein's opaque matte gouache is Japan's foremost designers' color medium. These paints deliver a brilliant, rich matte finish using naturally opaque pigments - no opaquing agents added. This creates vibrant, exciting color that won't muddy when mixed.
Color Swatches created using full strength/50/50 and were applied on cold press Bristol board (2 ply) material.
Fe2O2 or Fe2O3 • H2O
Mars Orange is a bright, extremely light red and appears almost pinkish in contrast with darker colors. It has incredible tinting strength and opacity. The synthetic form of Mars Orange is made from iron oxides and is cleaner, brighter, and denser than its ochre-based counterparts.
Mars Orange has excellent permanence and lightfastness.
Mars Orange has no significant hazards.
The word Mars refers to the Roman god of iron and war. Mars Orange has been manufactured as a pigment since the 17th century.
mix of organic pigments
Hooker’s Green is a bright olive-green often sold in a yellowish shade and a bluish shade. Its transparency can range from dull and dark to bright and light because lightness and chroma vary based on manufacturer. Modern varieties have a rich, dark tone that provides a great range when mixing. Hooker’s Green is particularly good for landscape painting when a larger range of foliage is required. Dioxazine Violet is the best mixing compliment in watercolor form.
The permanence and lightfastness of Hooker’s Green varies by brand. As a composite pigment historically mixed from Prussian Blue and Gamboge, its permanence is only fair. Modern replacements for Hooker's Green tend to be mixed with components that have more permanence, such as Phthalocyanine Green, Burnt Umber, and sometimes Hansa or Cobalt Yellow.
Hooker’s Green can be hazardous, but the toxicity level depends on the specific pigments used by each individual manufacturer or brand.
This pigment was originally an unreliable mix of Prussian or Iron Blue and Gamboge. Later, it became a more reliable mix of Cadmium Yellow and Phthalo Blue or Green. It was a staple green for 19th century landscape and botanical painters. Most modern Hooker’s Green paints are yellow greens with a hue angle around 140, or a mix of Phthalo Green and Burnt Umber.
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