Color Swatch created using Full Strength/50/50 and was applied on Cold Press Bristol Board (2-ply) material.
This color contains the following pigments:
PR122—Quinacridone Magenta
Pigment Type
organic, quinacridone
Chemical Name
n/a
Chemical Formula
C22H16N2O2
Properties
Quinacridone Magenta is a semi-transparent and powerful red with an impressive mixing range. It makes an excellent glazing color and is one of the bluest of the Quinacridone colors.
Permanence
Quinacridone Magenta is very permanent with excellent lightfastness in most media, but some argue it is less lightfast in watercolor form.
Toxicity
Quinacridone Magenta has no acute hazards. Overexposure to quinacridone pigments may cause skin irritation. Quinicridone pigments contain a compound found to be a skin, eye, and respiratory irritant.
History
Quinacridone Magenta came from a red violet aniline dye that was first produced in 1858 by Natanson. It was called Magenta to commemorate a battle in Magenta, Italy. Over time, Magenta became the standard color name for a deep, violet red. Although quinacridone compounds became known in the late 19th century, methods of manufacturing so as to make them practical for use as commercial pigments did not begin until the 1950s.
Alternate Names
Acra Red, Quinacridone Violet (PV19), Thalo Red Rose.
PR146—Naphthol Red
Pigment Type
n/a
Chemical Name
n/a
Chemical Formula
C33H27ClN4O6
Properties
n/a
Permanence
Naphthol Reds vary widely in lightfastness. This Naphthol Red (PR146) has fair to poor permanence and always fades in tints. It is not suitable for outdoor use.
Toxicity
Naphthol Reds are not considered toxic.
History
Unknown.
Alternate Names
Naphthal, Naphthol Bordeaux, Naphthol Carbamide, Naphthol Carmine, Permanent Carmine, Permanent Red.
PW6—Titanium White
Pigment Type
inorganic
Chemical Name
titanium dioxide
Chemical Formula
TiO2
Properties
Titanium White is the most brilliant of the white pigments. It is considered an all purpose oil color useful in all techniques and the best all around white. Its masstone is neither warm nor cool, placing it somewhere between Lead White and Zinc White. It is less prone to cracking and yellowing than Lead White, but it still yellows easily. Titanium White dries slowly in oil form, more slowly than Lead White but more quickly than Zinc White. It is opaque in oil and acrylic forms and semi-opaque in watercolor form. This pigment has good chemical stability, and its tinting strength is superior to both Lead White and Zinc White. It is also the only acrylic white available.
Permanence
Titanium White has excellent permanence and lightfastness.
Toxicity
Titanium dioxide is highly stable and is regarded as completely non-toxic. Animal studies give no indiciation that it is absorbed biologically, even after long periods of exposure. The primary safety concern is with inhalation of fine pigment dust particles. Titanium White, if inhaled in large amounts over the course of several years, may cause a benign pneumoconiosis that is visible on x-rays. The National Institute of Occupational Safety and Health (NIOSH) considers fine titanium dioxide particles, if inhaled, to be a human carcinogen. The primary concern for artists is to avoid exposure to fine particulate dust from raw pigments.
History
Titanium is the ninth most abundant element in the Earth's crust, however mineral deposits that are economical to mine are less common. Titanium dioxide was first discovered in 1821, although it could not be mass produced until 1919. Widespread use of the pigment began in the 1940s. Since that time, it has become the most commonly used white pigment. The name comes from the Latin word Titan, the name for the elder brother of Kronos and ancestor of the Titans, and from the Greek word tito, meaning day or sun.
Alternate Names
None.
