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Old Holland has been making artist colors since 1664, as one of the oldest continuously operating companies in the art supply industry. The company is known for uncompromising adherance to its techniques and standards. All color making is done by hand
Color Swatches created using heavy application/medium application/50% tint and were applied on acrylic primed canvas (7 oz) material.
Burnt Sienna is a warm, mid-brown color formed by burning the yellow-brown limonite clay called Raw Sienna. It ranges from semi-opaque to semi-transparent due to the combination of its opaque, red-brown mass tone and its transparent, orangey undertone. It is an excellent mixing complement for blues and greens and creates salmon or peach colored tints when mixed with white. It can be useful for subduing bright colors and does not get chalky in dark mixtures.
Burnt Sienna has good permanence and is considered one of the most versatile of the permanent pigments.
Burnt Sienna has no significant hazards.
Burnt Sienna has been used as a pigment since prehistoric times, but its current name came about during the Renaissance. It comes from the city of Siena, in Italy, and is short for terra di Siena, meaning earth of Siena. Sienna was famous for the mining and production of earth pigments from the Renaissance until World War II. Due to the depletion of clay deposits in Tuscany, Italian siennas now come from other areas, including Sicily and Sardinia.
Caput Mortuum, Italian Earth, Natural Brown Iron Oxide, Sienna, Spanish Red, Vandyke Brown.
organic, vat dyes
complex, insoluble anthraquinone
Indanthrene Blue is a clear, clean, deep blue organic pigment. It has moderate to high tinting strength and is not as overpowering as Phthalo Blue. Hansa Yellow Deep, Benzimidazolone Orange, and Raw Umber are its best mixing complements.
Indanthrene Blue is permanent with excellent lightfastness in both masstone and tints.
Indanthrene Blue varies in its acute toxicity, though toxicity is generally slight.
Indanthrene Blue is the oldest vat dye, discovered and patented in 1901 by Rene Bohn. It is considered the first anthraquinone vat dye, a group of dyes characterized by excellent lightfastness. The pigment originates from this dye.
copper azomethine green
A transparent greenish yellow pigment with low tinting strength.
Pigment PY129 has been reported to have very good lightfastness.
Pigment PY129 is not considered to be hazardous.
Pigment Yellow PY129 has been used in automotive coatings.
Magnacryl Azomethine Yellow
polychlorinated copper(II) phthalocyanine
C32H3Cl13CuN8 to C32HCl15CuN8 or C32H16CuN8Cl15 (PG7) or C32Br6Cl10CuN8 (PG36)
Phthalo Green is a transparent, cool, bright, high intensity color used in oil and acrylics. It comes from a Phthalocyanine Blue pigment where most of the hydrogen atoms have been replaced with chlorine, forming highly stable molecules. It has similar pigment properties and permanence to Phthalo Blue. It is slow drying and an excellent base color for mixing a range of bright greens. Phthalo Green is considered a very good alternative to Viridian because it is intense and mixes well and can be used to emphasize mineral colors in various tints. However, its tinting strength is very high, so it can overpower other colors. This pigment most closely resembles the discontinued and toxic Verdigris.
Phthalo Greens are completely lightfast and resistant to alkali, acids, solvents, heat, and ultraviolet radiation. They are currently used in inks, coatings, and many plastics due to their stability and are considered a standard pigment in printing ink and the packaging industry.
Phthalo Green has no significant hazards, but it contained PCBs (polychlorinated biphenyls) until 1982.
This bright blue-green was developed in 1935 and has been in use since 1938.
Bocour Green, Cyan Green, Intense Green, Monastral Green, Phthalocyanine Green, Rembrandt Green, Thalo Green, Winsor Green.
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