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The formulation of each color is modified individually to compensate for the inherent differences in the working characteristics of pigments. The result is an even consistency across the entire palette of colors.
Color Swatches created using heavy application/medium application/50% tint and were applied on acrylic primed canvas (7 oz) material.
iron(III)-oxide, partly hydrated
Brown Ochre provides artists with earthtones from cream to brown and is a dull, dark variety of Yellow Ochre. Its transparency varies widely from opaque shades to more transparent ones, which are valued for their use as glazes. It has good hiding power, produces a quick drying paint, and can be safely mixed with other pigments. The highest quality Brown Ochre comes from Cyprus, where it is yellow in its raw form and is roasted to get the deeper brown-red varieties that result when water is removed. (See Yellow Ochre, PY42/43.)
Brown Ochre has excellent permanence.
Brown Ochre is non-toxic.
Ochre comes from the Greek word ochros, meaning pale yellow. It has been used since prehistoric times, and evidence of its use has been found in some of the earliest known cave paintings in Lascaux, France. It has also been called Goethite, after the German philosopher and mineralogist Johann Wolfgang von Goethe (1749-1832).
Goethite, Yellow Ochre.
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