Color Swatch created using Full strength/50/50 and was applied on Acrylic Primed Canvas (7 oz) material.
This color contains the following pigments:
PY12—Diarylide Yellow 12
Pigment Type
organic, disazo
Chemical Name
n/a
Chemical Formula
n/a
Properties
Pigment PY12 offers a reddish yellow.
Permanence
Pigment PY12 has been reported to fade with exposure to sunlight.
Toxicity
n/a
History
The diarylide yellows are a family of bright yellow pigments with a similar molecular structure. Discovered by Grieshiem-Elektron, Pigment Yellow 12 has been used in lithographic and offset printing applications, textiles, plastics, and paints.
Alternate Names
n/a
PBr7—Burnt Sienna
Pigment Type
earth
Chemical Name
iron oxides
Chemical Formula
Fe2O3
Properties
Burnt Sienna is a warm, mid-brown color formed by burning the yellow-brown limonite clay called Raw Sienna. It ranges from semi-opaque to semi-transparent due to the combination of its opaque, red-brown mass tone and its transparent, orangey undertone. It is an excellent mixing compliment for blues and greens and creates salmon or peach colored tints when mixed with white. It can be useful for subduing bright colors and does not get chalky in dark mixtures.
Permanence
Burnt Sienna has good permanence and is considered one of the most versatile of the permanent pigments.
Toxicity
Burnt Sienna has no significant hazards.
History
Burnt Sienna has been used as a pigment since prehistoric times, but its current name came about during the Renaissance. It comes from the city of Siena, in Italy, and is short for terra di Siena, meaning earth of Siena. Sienna was famous for the mining and production of earth pigments from the Renaissance until World War II. Due to the depletion of clay deposits in Tuscany, Italian siennas now come from other areas, including Sicily and Sardinia.
Alternate Names
Caput Mortuum, Italian Earth, Natural Brown Iron Oxide, Sienna, Spanish Red, Vandyke Brown.
PR83—Alizarin Crimson
Pigment Type
organic
Chemical Name
1,2-dihydroxyantraquinone
Chemical Formula
C14H8O4
Properties
Alizarin Crimson, the traditional cool counterpart to Cadmium Red, is a clear ruby-red with a maroon masstone and a bluish undertone. It is the artist's principal deep red pigment, is transparent, and has good tinting strength. It creates bright rosy pinks when mixed with white, a range of purples and violets when mixed with strong blues, can be slow drying when used with oils, and is compatible with all other pigments. Permanent Alizarin Crimson mixes well with Ultramarine in acrylic and watercolor form. Permanent Rose and Quinacridone Rose are possible alternatives on a watercolor palette. Alizarin Crimson is a popular glazing color.
Permanence
Alizarin Crimson is considered fugitive or marginally lightfast, and the appropriateness of its use in the modern artist palette is a subject of debate. There are many concerns regarding its permanence, particularly when mixed with ochre, sienna, and umber, or when used thinly. It is the least permanent red commonly used by today’s artists. Modern synthetic preparations of Alizarin Crimson have better permanence and lightfastness that the original natural pigment, which was extracted from the madder plant. Quinacridone pigments have been used to create a modern hue that closely matches the original hue, but many artists object that the transparency and handling characteristics are not the same as for the original.
Toxicity
Alizarin Crimson can be slightly toxic if it comes into contact with skin and may cause some allergies. There is no significant acute toxicity.
History
The word alizarin comes from the Arabic word al-usara, meaning juice. The base ingredient of this pigment is the Madder plant (Rubia Tinctorum). It was used for dyes and inks among craftsmen in Ancient Persia, India, and Egypt as early as 1500 BC In 1804, George Field, an English dye maker, developed Madder Lake by binding madder to alum, a white powder. The German chemists Carl Grabe and Carl Liebermann produced the first synthetic variety of this pigment, most commonly known as Alizarin Crimson, in 1868. They used anthracene, which greatly improved the lightfastness. The Colour Index International designation PR83:1 has been used to identify this synthetic laked pigment.
Alternate Names
Alizarin, Alizarin Carmine, Crimson Madder, Madder Lake. Rose Madder is a weak grade of Alizarin Crimson.
