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Gamblin Artist's Oil Colors are crafted by hand with the well-being of artists, their work, and the environment in mind. They combine the best traditions of the past with the latest technical innovations, giving you the freedom to create without compromise.
Color Swatches created using heavy application/medium application/50% tint and were applied on acrylic primed canvas (7 oz) material.
Burnt Sienna is a warm, mid-brown color formed by burning the yellow-brown limonite clay called Raw Sienna. It ranges from semi-opaque to semi-transparent due to the combination of its opaque, red-brown mass tone and its transparent, orangey undertone. It is an excellent mixing complement for blues and greens and creates salmon or peach colored tints when mixed with white. It can be useful for subduing bright colors and does not get chalky in dark mixtures.
Burnt Sienna has good permanence and is considered one of the most versatile of the permanent pigments.
Burnt Sienna has no significant hazards.
Burnt Sienna has been used as a pigment since prehistoric times, but its current name came about during the Renaissance. It comes from the city of Siena, in Italy, and is short for terra di Siena, meaning earth of Siena. Sienna was famous for the mining and production of earth pigments from the Renaissance until World War II. Due to the depletion of clay deposits in Tuscany, Italian siennas now come from other areas, including Sicily and Sardinia.
Caput Mortuum, Italian Earth, Natural Brown Iron Oxide, Sienna, Spanish Red, Vandyke Brown.
Pigment PY74 is one of the most commercially important pigments of the Hansa Yellow group, considered superior to many others in its class based on both tinting strength and lightfastness. Several PY74 grades with different particle sizes are available. Grades with finer particle size are more brilliant and transparent. Pigment PY74 ranges from reddish yellow to greenish yellow, with temperature shifts from cool to warm hues. It has high tinting strength and average to slow drying time.
This Hansa Yellow has better lightfastness that other yellow monoazo pigments, particularly in the darker shades.
Hansa Yellow has no significant acute hazards, though its chronic hazards have not been well studied.
Hansa Yellows were first made in Germany just before WW1 from a series of synthetic dyestuffs called Pigment Yellow. They were intended to be a synthetic replacement for Cadmium Yellow.
Arylide, Arylide Yellow, Azo, Brilliant Yellow, Monoazo, Monolite Yellow, Permanent Yellow.
alpha copper phthalocyanine
Phthalo Blue PB15:1 is a structural variant of Phthalo Blue PB15 that produces more reddish tones.
Phthalo Blues are completely lightfast and stable and are permanent for all paint uses. They are currently used in inks, coatings, and many plastics due to their stability and are considered a standard pigment in printing ink and the packaging industry.
Phthalo Blues have no significant hazards, although those made before 1982 contained some PCBs (polychlorinated biphenyls).
Developed by chemists using the trade name Monastral Blue, the organic blue dyestuff now known as Phthalo Blue was presented as a pigment in November 1935 in London. Its discovery was accidental. The dark color was observed in a kettle where a dye was being made from a British dyestuff plant. The demand for such a pigment came from commercial printers who wanted a cyan to replace Prussian Blue.
Phthalo Blue Red Shade, Winsor Blue Red Shade
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