Horadam colors can be lifted from a dried palette without forming small bubbles. Colors flow evenly and are fully intermixable. Horadam helps the artist maintain full control of color, even on softer papers.
Color Swatch created using heavy application/diluted application and was applied on cold press watercolor paper (150 lb) material.
This soft, pink hue, a traditional color, is mixed from two pigments. The manganese lake pigment PR48:4 creates bluish red tones. Lightfastness and weather resistance of full tones are relatively good.
1-, 2-dihydroxyanthraquinone lake
Alizarin Crimson, the traditional cool counterpart to Cadmium Red, is a clear ruby-red with a maroon masstone and a bluish undertone. It is the artist's principal deep red pigment, is transparent, and has good tinting strength. It creates bright rosy pinks when mixed with white, a range of purples and violets when mixed with strong blues, can be slow drying when used with oils, and is compatible with all other pigments. Permanent Alizarin Crimson mixes well with Ultramarine in acrylic and watercolor form. Permanent Rose and Quinacridone Rose are possible alternatives on a watercolor palette. Alizarin Crimson is a popular glazing color.
Alizarin Crimson is considered fugitive or marginally lightfast, and the appropriateness of its use in the modern artist palette is a subject of debate. There are many concerns regarding its permanence, particularly when mixed with ochre, sienna, and umber, or when used thinly. It is the least permanent red commonly used by today’s artists. Modern synthetic preparations of Alizarin Crimson have better permanence and lightfastness that the original natural pigment, which was extracted from the madder plant. Quinacridone pigments have been used to create a modern hue that closely matches the original hue, but many artists object that the transparency and handling characteristics are not the same as for the original.
Alizarin Crimson can be slightly toxic if it comes into contact with skin and may cause some allergies. There is no significant acute toxicity.
The word alizarin comes from the Arabic word al-usara, meaning juice. The base ingredient of this pigment is the Madder plant (Rubia Tinctorum). It was used for dyes and inks among craftsmen in Ancient Persia, India, and Egypt as early as 1500 BC In 1804, George Field, an English dye maker, developed Madder Lake by binding madder to alum, a white powder. The German chemists Carl Grabe and Carl Liebermann produced the first synthetic variety of this pigment, most commonly known as Alizarin Crimson, in 1868. They used anthracene, which greatly improved the lightfastness. The Colour Index International designation PR83:1 has been used to identify this synthetic laked pigment.
Alizarin, Alizarin Carmine, Crimson Madder, Madder Lake. Rose Madder is a weak grade of Alizarin Crimson.
beta-oxynaphthoic acid lake, manganese salt
Permanent Red is a common name used for the manganese salt of beta-oxynaphthoic acid (BONA) lake pigment PR:48. It is more blue than other shades of PR:48, with the exception of PR48:2. BONA pigment lakes have high tinting strength.
Beta-oxynaphthoic acid (BONA) lake pigments are more lightfast than their beta-naphthol counterparts. Although their lightfastness makes them the pigment of choice in many applications, they may shift slightly in color or lose intensity under some conditions. Pigment PR48:4 is considered more lightfast and durable than other PR48 salts.
Beta-oxynaphthoic acid may have been synthesized as early as 1887. Commerical use of BONA lake pigments began in the 20th century. Pigment PR48:4 is used in packaging and plastics.
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