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Winsor & Newton Professional Watercolors offer artists the widest and most balanced choice of pigments with the greatest possible permanence. These paints have brilliance, transparency, and purity of color unparalleled by any other watercolor.
Color Swatches created using heavy application/diluted application and were applied on cold press watercolor paper (150 lb) material.
Chromium Oxide Green is a dull, dense, willow or pale green color that is completely opaque. It has an average drying time and a low tinting strength. It is fairly flexible in oil form and is suitable for all purposes and mediums. This pigment is less versatile in mixtures than Viridian and Phthalocyanine Green, but mixes well with other colors without overpowering them.
Chromium Oxide Green has excellent permanence, even at high temperatures.
Chromium Oxide Green is slightly toxic. Evidence of Chromium(III) carcinogenicity is inconclusive. Chromium(III) salts appear in greenish pigments such as PG17. Chromium(VI) salts, which appear in yellowish pigments, have been proven to cause cancer.
Louis-Nicolas Vauquelin discovered the element chromium in lead chromate in 1797. It began to be used as an enamel and ceramic color in 1809, but it had limited use as a pigment until 1862, because of its cost. It is the most commonly used green for military camouflage because it appears the same shade as living foliage under infrared light.
Chrome Oxide Green, Olive Green, Permanent Green. Varieties of Chromium Oxide Green include Arnaudon's Green, Dingler's Green, Plessy's Green, and Schnitzer's Green.
Lamp black is a very opaque, heavily staining black pigment that does not have much covering power. It is typically the most opaque black in watercolor form. Though a very pure black, it tends to muddy slightly in mixtures, is one of the slowest drying pigments in oils, and should not be used under other colors.
Lamp Black is very lightfast and absolutely permanent. It is used in all techniques in permanent painting.
Lamp Black is slightly toxic by skin contact and inhalation. It is a possible human carcinogen.
Lamp Black is a carbon based black traditionally produced by collecting soot (known as lampblack) from oil lamps. It is the black found in Egyptian murals and tomb decorations and was the most popular black for frescoing until the development of Mars Black.
Carbon Black, Channel Black, Oil Black, Vegetable Black. Flame Black is an impure version of Lamp Black.
hydrated aluminum silicate
Slate Gray is a semi-opaque, neutral gray pigment produced from powdered slate.
Slate Gray is absolutely lightfast.
Hydrated aluminum silicate is not considered toxic, however pigment from natural sources may contain impurities.
Mineral sources of Slate Gray have been used as a colorant since prehistoric times.
Zinc White is the coolest white, and it has a cold, clean masstone and a slightly bluish tint. It has less hiding power and is more transparent than other whites. It dries slowly and is good for painting wet into wet and for glazing and scumbling. Zinc White is neither as opaque nor as heavy as Lead White, its covering power is not as good, and it takes much longer to dry. However, it does not blacken when exposed to sulfur in the air as Lead White does. It is very valuable for making tints with other colors. Unmixed Zinc White dries to a brittle and dry paint film that may crack over the years, so it is not good for frescoing. It is more transparent in acrylic form than Titanium White and is the most commonly used white with gouache. Chinese White is a version of Zinc White appropriate for opaque watercolor techniques.
Zinc White has great permanence and lightfastness.
Zinc White is moderately toxic if ingested and slightly toxic if inhaled.
Though historians are divided on who first isolated the element zinc, they agree that it was first suggested as a white pigment in 1782. Zinc White was accepted as a watercolor in 1834 and was called Chinese White due to the popularity of oriental porcelain in Europe at the time. Ten years later, a suitable oil form was produced. By the early 20th century, it had improved to the point where it was an acceptable alternative to Flake White.
Chinese White, French White, Permanent White, Silver White, Snow White, Zinc Oxide.
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