This is a modified stand oil-based medium for painters who prefer slower drying. It offers longer manipulation time for over-painting, glazing, and wet-in-wet techniques.

This medium is especially useful for under-painting on an absorbent gesso ground or for mural work. Add it directly to oil color in small quantities for increased fluidity and enhanced ease of application.

Formulated especially to improve flow, retard drying time, and impart a high gloss finish to the dried paint film, this is the ideal painting medium for alla prima (wet-in-wet) painting techniques.

Oil Painting Medium III dilutes oil color to speed drying time and improve paint flow. Add it directly to the color in small quantities. It's perfect for detail work.

Grumbacher mediums thicken or thin paints without harming their adhesive, binding, or film-forming qualities, and allow artists to achieve increased flow and rapid or slow drying. Also proven to guard against yellowing and cracking.

A traditional mixture of liquids taken one step further, Kinstler Studio Painting Medium is formulated to the specifications of portrait artist Everett Raymond Kinstler. Use it with professional-grade oils to enhance flow and create luminous effects.

Bronzing Medium is recommended for use with metallic bronzing powders. It produces a hardwearing metallic paint that can be applied to most any surface. Highly flammable.

Maimeri Eco Oil Medium is a non-toxic, non-hazardous, water-mixable oil medium formulated to meet the demands of today's health– and eco-conscious painters. Maimeri Eco Oil Medium softens oil paints' consistency and reduces their density, making paint application smoother and easier.

Reduces the consistency of oil color without sacrificing richness, as solvents do. This thinner tends to yellow. Highly flammable.

An emulsion of linseed oil, mastic resin, gum arabic and black oil that improves paint handling while making colors richer, deeper and lustrous even when dry. It makes oil colors non-migratory, making it easier to paint details that will remain separate.

Painters have always developed and adopted their own special strategies to create the ideal paint film. Michael Harding, in collaboration with Pip Seymour, has created a range of oil mediums and varnishes that are specifically intended to work with Michael Harding Artists Oil Colors.

This is a basic paint medium designed to ease flow, as well as to increase the gloss, transparency, depth, and beauty of oil colors.

Old Holland Oil Painting Medium thins oil paints, increases fluidity, and enhances flow. Made from a mixture of linseed oil, turpentine oil, and white spirit, it contains no resin or dryers. It reduces gloss and ensures that brushstrokes remain visible, but does not affect the drying time.

This medium thins oil paints and enhances their flow. It also produces quicker drying times, reduces gloss, and allows brushstrokes to remain visible. Made from a mixture of linseed oil, turpentine oil, and white spirit, Quick Drying Painting Medium contains no resin or dryers.

This ready-to-use binder is ideal for producing your own oil colors in small batches. Just add dry pigment to the binder and mix with a palette knife. 200 ml jar.

A colorless, liquid gloss medium that adds body and volume to the paste, ideal for glazing and "alla prima" painting techniques. It speeds drying, imparts a gloss that does not diminish noticeably during drying, and brightens colors.

Weber Liquiglaze is an excellent medium for fine detail, impasto, or glaze effects. It dries quickly, is resistant to yellowing, and provides a long lasting quality paint film. The consistency is that of a soft translucent gel, ideal for mixing.

Use Weber's Oil Painting Medium with oil paints when durability is desired. It imparts brilliance to colors and gives a pleasant consistency. Oil Painting Medium is prepared from refined linseed oil, damar varnish, and artist's pure gum turpentine.

A stand linseed oil/petroleum distillate used to thin the consistency of oils and alkyds. Dries to flexible film, minimal tendency to yellow, wrinkle, or crack. Thin with mineral spirits.

This mixture of Damar Varnish, Linseed Oil, and mineral spirits reduces the consistency and slows the drying rate of oil and alkyd colors. It is useful as a medium for blending, glazing, stroke work, antiquing, and staining.